Abstract
This visual essay is composed of two parts. The first is a set of four double page spread compositions, each one comprising four components. On the right hand page is a photograph of Anne Tallentire, From, in and with, detail, work on paper, dimensions variable, (2013); and on the left hand page, a site-writing, consisting of three textual components, including – along the bottom in bold font – some experiments in citation. The second part is a reflection, informed by feminism, on citational practice in art and academia.
How to Cite:
Rendell, J., (2017) “From, in and with Anne Tallentire”, field: 7(1), 13–38. doi: https://doi.org/10.62471/field.73
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